In this case, we were seeing something subtly different - but the video was certainly stuttering, making it impossible to cut without getting a quick headache. And he rapidly discovered that whatever he did, they came in with a noticeable stutter, reminiscent of what you see if the “A” frame is identified incorrectly in film material. On Friday, we received our first dailies on a show I’m starting, and my assistant began digitizing them. Avid has made a lot of progress in the last year or so and they deserve to be congratulated. Also, and equally irritating, when frame view clips get moved from one bin to another, the system wipes out any arrangement you have and aligns them to a grid.īut despite these issues, the big headline is how responsive and stable the system is. This was not true in ABVB or Meridien and if you’ve got a lot of bins open in frame view, it can feel maddening slow. Also, when you open a bin, all clip frames in all open bins refresh.
#LIGHTWORKS AUDIO STUTTERING SOFTWARE#
First, there’s still a barely perceptible one-frame jump when you press stop (only in Adrenaline systems - you don’t see it with software only).
A lot of problems tend to reveal themselves with longer timelines and more media.Ī couple of bugs stand out, only because they seem so obvious. Of course, I don’t have much media yet, it’s just standard def 14:1, and our project is still pretty small. The system can still crash, but it’s quite rare (once in seven days, so far), and restarting is quick. Waveforms draw quickly, and when I’m first-cutting, I leave them on all the time. And playing and stopping are much more responsive than they used to be. Blip-audio scrubbing in source/record mode is much faster than in ABVB or Meridien and frankly, it’s almost too fast.
These machines are the fastest and most responsive Adrenalines I’ve ever used. On my new show, I’ve got 3 Ghz, eight-core Mac Pros running Media Composer 2.7.7 over Unity - and I have to say that Avid continues to kill bugs and make the system more usable.
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